PLEASE NOTE BEFORE VIEWING:
SCULPTURE from the DoV System Concepts will be shown from the most recent to the first Sheet-Rock Works of March 1972.
FOUR IMAGES PER PAGE, sometimes multiple images of a single work. Be sure to scroll to capture all four images. To enlarge, click on the image itself. Many images may be enlarged twice.
This category, though being made available now, is being loaded as respective work provenance can be determined. Thank you for your interest and patience.
SCULPTURE from the DoV System Concepts will be shown from the most recent to the first Sheet-Rock Works of March 1972.
FOUR IMAGES PER PAGE, sometimes multiple images of a single work. Be sure to scroll to capture all four images. To enlarge, click on the image itself. Many images may be enlarged twice.
This category, though being made available now, is being loaded as respective work provenance can be determined. Thank you for your interest and patience.
SCULPTURE, DoV
Striated Neo-Petella Jerker (vertical mode)
1999
SHADOWS, Polymers on industrial mesh, galvanized rods and spider-wire
80 x 40 x 28"
1999
SHADOWS, Polymers on industrial mesh, galvanized rods and spider-wire
80 x 40 x 28"
Systemic Lineation Series
COLLECTION: Derek Mroz, Houston
photo: Volker Eisele, M.D.
COLLECTION: Derek Mroz, Houston
photo: Volker Eisele, M.D.
Drawn Moth (pedestal/floor mode)
1993 ©
Sculptmetal™ on Tobinite™ on enameled industrial mesh, galvanized steel rods & spiderwire
11 x 34 x 26"
1993 ©
Sculptmetal™ on Tobinite™ on enameled industrial mesh, galvanized steel rods & spiderwire
11 x 34 x 26"
Systemic Series
Private COLLECTION, Houston, TX
Private COLLECTION, Houston, TX
RED-I-RAP (wall mode)
1993 ©
Carbonized TOBINITE™ on industrial mesh, galvanized steel rods, spiderwire & controlled shadows
36 x 15 x 19"
1993 ©
Carbonized TOBINITE™ on industrial mesh, galvanized steel rods, spiderwire & controlled shadows
36 x 15 x 19"
Systemic Series
Collection of the artist
Collection of the artist
Double Bind/Bound
1991 ©
enamels on industrial mesh, galvanized steel rods & PVC coated wire
35 x 40 x 21"
1991 ©
enamels on industrial mesh, galvanized steel rods & PVC coated wire
35 x 40 x 21"
Systemic Drawing-in-the-Round Series, Formed to shadows
COLLECTION: Maria Inés Sicardi, Houston, TX
photo: Anya Tish ©
COLLECTION: Maria Inés Sicardi, Houston, TX
photo: Anya Tish ©
Beachcomber Corner Drawing
1990 ©
PVC-coated & colored electrical wires on industrial mesh, galvanized rods & spider wire
32 x 40 x 54"
1990 ©
PVC-coated & colored electrical wires on industrial mesh, galvanized rods & spider wire
32 x 40 x 54"
Drawing-in-the-Round/Wave Series
(rescued from destruction of tear-down of Blue-Barn-On-Barnes studio, May 2014)
COLLECTION:Derek Mroz, Houston, TX
photo: Dr. Volker Esclie
(rescued from destruction of tear-down of Blue-Barn-On-Barnes studio, May 2014)
COLLECTION:Derek Mroz, Houston, TX
photo: Dr. Volker Esclie
Another Big Wave (position 1)
1989 ©
clear and matt acrylic enamels On industrial mesh, galvanized steel rods, PVC-coated wire & spiderwire
30 1/2 x 46 x 60"
1989 ©
clear and matt acrylic enamels On industrial mesh, galvanized steel rods, PVC-coated wire & spiderwire
30 1/2 x 46 x 60"
Drawing-In-the-Round/Wave Series
photo: Anya Tish
photo: Anya Tish
Another Big Wave (position 1, view 2)
1989 ©
Clear and matt acrylic enamels on industrial mesh, galvanized rods, PVC-coated wire & spider wire
30 1/2 x 60 x 46"
1989 ©
Clear and matt acrylic enamels on industrial mesh, galvanized rods, PVC-coated wire & spider wire
30 1/2 x 60 x 46"
Drawing-In-the-Round Series
photo: Thais Verissimo
photo: Thais Verissimo
Another Big Wave (position 2)
1989
matt and clear enamels on industrial mesh
30 1/2 x 46 x 60"
1989
matt and clear enamels on industrial mesh
30 1/2 x 46 x 60"
Drawing-in-the-Round/Wave Series
Anti ART-CRAFT Flack Lacker
1988-1989 ©
enamels, acrylics, vinyls, mica chips on industrial mesh, galvanized rods, spider wire
49 x 31 x 27 "
1988-1989 ©
enamels, acrylics, vinyls, mica chips on industrial mesh, galvanized rods, spider wire
49 x 31 x 27 "
Systemic Phases, 3-D Lineation Series
Platform Erectus (view 1)
1996 ©
vintage and new Erector™ set parts
52 x 28 x 24"
1996 ©
vintage and new Erector™ set parts
52 x 28 x 24"
Archetype (toy) Series
Platform Erectus (view 2)
1996 ©
vintage and new Erector™ set parts
52 x 28 x 24"
1996 ©
vintage and new Erector™ set parts
52 x 28 x 24"
Archetype (toy) Series
Platform Erectus (DETAIL)
1996 ©
vintage and new Erector™ parts
27 x 18 x 18"
1996 ©
vintage and new Erector™ parts
27 x 18 x 18"
Archetype (toy) Series
The DoV module without the "platform." Vintage parts remain with rust as acquired from antique shops.
photo: Hans Staartjes ©
The DoV module without the "platform." Vintage parts remain with rust as acquired from antique shops.
photo: Hans Staartjes ©
PLUSH-ARK (view 1)
1996 - '97 ©
400+ Beanie Babies™ in mesh & wire cages
52 x 72 x 48"
1996 - '97 ©
400+ Beanie Babies™ in mesh & wire cages
52 x 72 x 48"
Archetype (toys) Series
DESTROYED in May 2014 Studio tear-down
DESTROYED in May 2014 Studio tear-down
PLUSH-ARK (view 2)
1996-'97 ©
400+ Beanie Babies™ in mesh and rod cages
52 x 72 x 48"
1996-'97 ©
400+ Beanie Babies™ in mesh and rod cages
52 x 72 x 48"
Archetype (toy) Series
DESTROYED May 2014 Studio Tear-down
DESTROYED May 2014 Studio Tear-down
PLUSH-ARK (view 3)
1996 - '97 ©
400+ Beanie Babies™ in mesh and rod cages
52 x 72 x48"
1996 - '97 ©
400+ Beanie Babies™ in mesh and rod cages
52 x 72 x48"
Archetype (toy) Series
DESTROYED May 2014 in Studio Tear-down
DESTROYED May 2014 in Studio Tear-down
SHRINE: Gestalten Konnectus (view 1)
1994 - '96 ©
Plastic toy kit parts
41 3/4 x 29 x 30 1/2"
1994 - '96 ©
Plastic toy kit parts
41 3/4 x 29 x 30 1/2"
Archetype (toy) Series
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
photo: Hans Staartjes ©
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
photo: Hans Staartjes ©
SHRINE: Gestalten Konnectus (view 2)
1994 - 1996 ©
Toy kit parts
41 3/4 x 29 x 30 1/2"
1994 - 1996 ©
Toy kit parts
41 3/4 x 29 x 30 1/2"
Archetype (toy) Series
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
photo: Hans Staartjes ©
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
photo: Hans Staartjes ©
Velcro-Afterburner
1990 ©
Carbonized TOBINITE™ on industrial mesh, steel rods & spiderwire & critically placed SHADOWS
28 x 25 x 12", including shown shadows
1990 ©
Carbonized TOBINITE™ on industrial mesh, steel rods & spiderwire & critically placed SHADOWS
28 x 25 x 12", including shown shadows
Systemic Series
COLLECTION:
Natasha & Sergio Pitanga, Houston, TX
COLLECTION:
Natasha & Sergio Pitanga, Houston, TX
Spike & Twist
1989 ©
Carbonized TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
16 x 37 x 14"
1989 ©
Carbonized TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
16 x 37 x 14"
Systemic Series
COLLECTION:
Christiana Winkelmann, Dusseldorf, Germany
COLLECTION:
Christiana Winkelmann, Dusseldorf, Germany
PETRO LILAC (view1, wall mode)
1983 ©
acrylic and vinyls on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
28 x 24 x 11"
1983 ©
acrylic and vinyls on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
28 x 24 x 11"
Systemic Series, Painting-in-the-Round
Private COLLECTION, whereabouts unknown
Private COLLECTION, whereabouts unknown
Kirman Report
1982 ©
acrylic on TOBINITE™ on industrial mesh, galvanized steel rods, spiderwire & variable SHADOWS
34 x 21 x 18"
1982 ©
acrylic on TOBINITE™ on industrial mesh, galvanized steel rods, spiderwire & variable SHADOWS
34 x 21 x 18"
Systemic Series, Paintings-in-the-Round
COLLECTION: Tom Furlan, Houston, TX
COLLECTION: Tom Furlan, Houston, TX
ALL of a DIFFERENT STRIPE (7 of 8 units shown, view 1)
1996 ©
acrylics on TOBINITE™ on plyboard
each unit in a 36 x 36 x 54" modular format
1996 ©
acrylics on TOBINITE™ on plyboard
each unit in a 36 x 36 x 54" modular format
Systemic Lineation Series
Six units DESTROYED in gallery storage during Tropical Storm Allison, 2001
Six units DESTROYED in gallery storage during Tropical Storm Allison, 2001
OF A DIFFERENT STRIPE (view 2)
1996 ©
acrylics on wood
Basic DoV Module, second from the right: 36 x 36 x 54"
1996 ©
acrylics on wood
Basic DoV Module, second from the right: 36 x 36 x 54"
Archetype/Stripe Series
herein showing seven of eight units at this scale
herein showing seven of eight units at this scale
![HJ BOTT SCULPTURE, DoV acrylics on wood](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/hjbottc/thumb/483.jpg?1396917004 ""ONE" OF A DIFFERENT STRIPE, T & N Module,view 1")
"ONE" OF A DIFFERENT STRIPE, T & N Module,view 1
1996 ©
acrylics on wood
54 x 36 x 36"
1996 ©
acrylics on wood
54 x 36 x 36"
Archetype/Stripe Series
COLLECTION:
Tom & Nancy English, Houston, TX
COLLECTION:
Tom & Nancy English, Houston, TX
![HJ BOTT SCULPTURE, DoV acrylics on wood, here with xmas lights](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/hjbottc/thumb/587.jpg?1396928541 "T & N Module @ Xmas, "ONE of a Different Stripe; view 2")
T & N Module @ Xmas, "ONE of a Different Stripe; view 2
1996
acrylics on wood, here with xmas lights
54 x 36 x 36"
1996
acrylics on wood, here with xmas lights
54 x 36 x 36"
Archetype/Stipe Series
COLLECTION: Tom & Nancy English,
Houston, TX
photo: Tom English
COLLECTION: Tom & Nancy English,
Houston, TX
photo: Tom English
Glitter Tunnel (wall mode)
1982 ©
acrylics, enamel & glitter on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
18 x 26 x 12"
1982 ©
acrylics, enamel & glitter on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
18 x 26 x 12"
Systemic Series, Paintings-in-the-Round (convertibles)
COLLECTION: Molly Kempper, Richardson, TX
COLLECTION: Molly Kempper, Richardson, TX
Transmission Marmalade ( view 1, floor mode)
1989 - 1990 ©
oil on vinyls & acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
59 x 52 x 26" (152 x 132 x 66 cm)
1989 - 1990 ©
oil on vinyls & acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
59 x 52 x 26" (152 x 132 x 66 cm)
Systemic Series (convertibles)
Most of these works in this series were meant as Paintings-In-the-Round, but gallerist reactions were negative to such labeling.
DESTROYED in gallery storage flooding during Tropical Storm Allison, 2001
Most of these works in this series were meant as Paintings-In-the-Round, but gallerist reactions were negative to such labeling.
DESTROYED in gallery storage flooding during Tropical Storm Allison, 2001
NABOB BANANA (view 1, floor mode)
1982 ©
acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
48 x 36 x 30"
1982 ©
acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
48 x 36 x 30"
Systemic Series, Paintings-in-the-Round (convertibles)
DESTROYED in off-site storage during Tropical Storm Allison, 2001
DESTROYED in off-site storage during Tropical Storm Allison, 2001
Gulag A Go-Go
1984 ©
acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
24 x 20 x 18"
1984 ©
acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spiderwire
24 x 20 x 18"
Systemic Series, Paintings-in-the-Round (convertibles)
COLLECTION: Kate Foster-Peden,
The Woodlands, TX
COLLECTION: Kate Foster-Peden,
The Woodlands, TX
Delta Oxide (hanging mode)
1983 ©
acrylics on TOBINITE™ & wood on industrial mesh, galvanized steel rods & spiderwire
55 x 20 x 25"
1983 ©
acrylics on TOBINITE™ & wood on industrial mesh, galvanized steel rods & spiderwire
55 x 20 x 25"
Systemic Series, Painting-in-the-Round (convertibles)
STOLEN from COLLECTION:
Lolie Fernandez-Kolber, Houston, TX
STOLEN from COLLECTION:
Lolie Fernandez-Kolber, Houston, TX
Foreign Aborigine (view 1, hanging mode)
1984 ©
glitter, acrylics & vinyls on TOBINITE™ on industrial mesh, galvanized rods & spider wire
28 x 16 x 14"
1984 ©
glitter, acrylics & vinyls on TOBINITE™ on industrial mesh, galvanized rods & spider wire
28 x 16 x 14"
Systemic Series (convertibles, Paintings-In-Round)
COLLECTION: Vicky & Craig Looper,
Houston, TX
COLLECTION: Vicky & Craig Looper,
Houston, TX
TATLIN's TICKLE (view 2, floor mode)
1983 ©
acrylics on TOBINITE™ on industrial mesh, galvanized rods & spider wire
16 x 29 x 19"
1983 ©
acrylics on TOBINITE™ on industrial mesh, galvanized rods & spider wire
16 x 29 x 19"
Systemic Series, Painting-In-the-Round
(convertibles)
Private COLLECTION, New Orleans, LA
(convertibles)
Private COLLECTION, New Orleans, LA
Menthol Diphthong ( view 1, wall mode)
1983 ©
acrylics and vinyls on TOBINITE™ on industrial mesh, galvanized rods and spider wire
31 x 18 x 14"
1983 ©
acrylics and vinyls on TOBINITE™ on industrial mesh, galvanized rods and spider wire
31 x 18 x 14"
Systemic Series (convertible, Painting-In-the-Round)
Private COLLECTION, The Woodlands, TX
Private COLLECTION, The Woodlands, TX
ROYAL JAM (view 1, hanging mode)
1984 ©
synthetic polymer acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
61 x 51 x 43"
1984 ©
synthetic polymer acrylics on TOBINITE™ on industrial mesh, galvanized steel rods & spider wire
61 x 51 x 43"
Systemic Series (convertibles)
DESTROYED, off-site storage flooding, Tropical Storm Allison, 2001
DESTROYED, off-site storage flooding, Tropical Storm Allison, 2001
Respiratory Peel-Out
1999 - 2003 ©
synthetic vinyl and acrylic polymers & enamels on TOBINITE™ on galvanized industrial mesh, spring steel rods & spider wire
48 x 36 x 30" (122 x 95 x 76 cm)
1999 - 2003 ©
synthetic vinyl and acrylic polymers & enamels on TOBINITE™ on galvanized industrial mesh, spring steel rods & spider wire
48 x 36 x 30" (122 x 95 x 76 cm)
Systemic Series
COMMISSIONED by Gundi McCandless, Houston
COMMISSIONED by Gundi McCandless, Houston
Pollen Catcher
1984 ©
heavily flocked on enamels on industrial mesh, galvanized rods & spider wire
44 x 61 x 33"
1984 ©
heavily flocked on enamels on industrial mesh, galvanized rods & spider wire
44 x 61 x 33"
Systemic Phases. Drawing-in-Space (with color) Series
DESTROYED in Bott's Blue-Barn-On-Barnes forced tear-down 4/2014
DESTROYED in Bott's Blue-Barn-On-Barnes forced tear-down 4/2014
New Vent-A-Wave wall mode (view 1)
1982 ©
acrylics on TOBINITE™ on industrial mesh, steel rods & spider wire
49 x 25 x 28"
1982 ©
acrylics on TOBINITE™ on industrial mesh, steel rods & spider wire
49 x 25 x 28"
Wave Series
collection of the artist
collection of the artist
Bruegel's Bronze Begonias (view 1)
1972 -1982 ©
patinated and polychromed (later) silicon, 85-3-5 and Bon-White bronzes mounted on a Bruegelesque cage of Tobinte™ and wood on casters
86" high, including the base
1972 -1982 ©
patinated and polychromed (later) silicon, 85-3-5 and Bon-White bronzes mounted on a Bruegelesque cage of Tobinte™ and wood on casters
86" high, including the base
16 separate Curl Series castings with 32 different polished and patinated faces welded with silicon bronze
collection of the artist's wife, Dee Dee Bott, Houston, TX
collection of the artist's wife, Dee Dee Bott, Houston, TX
Bruegel's Bronze Begonias (view 2)
1972 - 1982 ©
silicon, 8-5-3-5 and Bon-White bronzes on a Tobinite™ and wood and mesh base
86 " including the Bruegelesque base cage
1972 - 1982 ©
silicon, 8-5-3-5 and Bon-White bronzes on a Tobinite™ and wood and mesh base
86 " including the Bruegelesque base cage
16 separate castings welded together with silicon bronze rods
32 separate polish and/or patinated faces
collection of the artist's wife,
Dee Dee Bott, Houston, TX
32 separate polish and/or patinated faces
collection of the artist's wife,
Dee Dee Bott, Houston, TX
DETAIL: Bruegel's Bronze Begonias
1972 - 1982 ©
polished and patinated bronzes
82" high including the base
1972 - 1982 ©
polished and patinated bronzes
82" high including the base
All elements from the Curl Series
Storm Paradigm
1991 ©
acrylic gels on various red tapes & red dots over industrial mesh, rods, spider wire and Critical SHADOW placement
25 x 28 x 21" (excluding shadow), shadow length variable but should be approximately 40" beyond the bottom edge
1991 ©
acrylic gels on various red tapes & red dots over industrial mesh, rods, spider wire and Critical SHADOW placement
25 x 28 x 21" (excluding shadow), shadow length variable but should be approximately 40" beyond the bottom edge
Wave Series with obvious political innuendoes.
COLLECTION of the artist
COLLECTION of the artist
Byzantine Suite
1979 ©
heavy acrylic gels on wood ( a complete door)
56 x 47 x 22"
1979 ©
heavy acrylic gels on wood ( a complete door)
56 x 47 x 22"
Monochrome Series
Made especially for the exhibition
DOORS, curated by Trudy Sween, at the Alley Theater Lobbies, Houston, Tx
Made especially for the exhibition
DOORS, curated by Trudy Sween, at the Alley Theater Lobbies, Houston, Tx
Big ISO-PLATES
1974 ©
Candy-Apple lacquers on pressed wood
variable, approx. 63 x 40 " each
1974 ©
Candy-Apple lacquers on pressed wood
variable, approx. 63 x 40 " each
Archetype Phases, Isometric Series, (they ARE flat); three to five per installation, possibly 20 + made. All private COLLECTIONS, whereabouts unknown
Melt-Up
1977 ©
Unique patinated and polished silicon bronze fitted on a purposeful pedestal
18 x 7 x 7 1/2" excluding pedestal
1977 ©
Unique patinated and polished silicon bronze fitted on a purposeful pedestal
18 x 7 x 7 1/2" excluding pedestal
Organic Phases, Lued Series
COLLECTION: Tom Oldham, Houston, TX
COLLECTION: Tom Oldham, Houston, TX
FO-UP I, view one, AS
1976
polished and patinated/painted silicon bronze
5.5 x 4 x 3"
1976
polished and patinated/painted silicon bronze
5.5 x 4 x 3"
AS (unique Artist's Study) intended to be an edition of three
Organic Phases, Curl Twists
Initial maquette for at least four enlargement up to 12' high in various materials
photo: Mitchell Loper
Organic Phases, Curl Twists
Initial maquette for at least four enlargement up to 12' high in various materials
photo: Mitchell Loper
FO-UP I, view 2; AS
1976
polished and patinated/painted silicon bronze
5.5 x 4 x 3"
1976
polished and patinated/painted silicon bronze
5.5 x 4 x 3"
AS (unique Artist's Study) intended to be an edition of three
Organic Phases, Curl Twists
Initial maquette for at least four enlargements up to 12' high in various materials
photo: Mitchell Loper
Organic Phases, Curl Twists
Initial maquette for at least four enlargements up to 12' high in various materials
photo: Mitchell Loper
BLOOMIN' DoV (view 1)
1977 ©
polychromed, patinated & polished silicon bronze
9 x 18 x 7"
1977 ©
polychromed, patinated & polished silicon bronze
9 x 18 x 7"
Organic/Floral Series
COLLECTION: Karen Taylor-Jasper,
West Columbia, TX
COLLECTION: Karen Taylor-Jasper,
West Columbia, TX
BLOOMIN' DoV (view 2)
1977 ©
patinated, polychromed & polished silicon bronze
9 x 18 x7"
1977 ©
patinated, polychromed & polished silicon bronze
9 x 18 x7"
Organic/Floral Series
COLLECTION: Karen Taylor-Jasper,
West Columbia, TX
COLLECTION: Karen Taylor-Jasper,
West Columbia, TX
Blooming DoV IV (view 1)
1977 ©
patinated, polychromed & polished silicon bronze
6 x 14 x 8"
1977 ©
patinated, polychromed & polished silicon bronze
6 x 14 x 8"
Organic/Floral Series
Private COLLECTION, whereabouts unknown
Private COLLECTION, whereabouts unknown
Blooming DoV IV (view 2)
1977 ©
patinated, polychromed & polished silicon bronze
6 x 14 x 8"
1977 ©
patinated, polychromed & polished silicon bronze
6 x 14 x 8"
Organic/Floral Series
Private COLLECTION, whereabouts unknown
Private COLLECTION, whereabouts unknown
NASTA-SHU
1977 ©
Unique patinated silicon bronze
9 1/2 x 12 3/4 x 7"
1977 ©
Unique patinated silicon bronze
9 1/2 x 12 3/4 x 7"
Cut & Fold Series
Private COLLECTION: Houston, TX
Private COLLECTION: Houston, TX
NYCO BLUM (view 1)
1977 ©
patinated, polychromed & polished silicon bronze
7 x 13 x 5"
1977 ©
patinated, polychromed & polished silicon bronze
7 x 13 x 5"
Organic/Floral Series
Private COLLECTION, Atlanta,GA
Private COLLECTION, Atlanta,GA
NYCO BLUM (view 2)
1977 ©
polychromed, patinated & polished silicon bronze
7 x 13 x 5"
1977 ©
polychromed, patinated & polished silicon bronze
7 x 13 x 5"
Organic/Floral Series
Private COLLECTION, Atlanta, GA
Private COLLECTION, Atlanta, GA
CURL-UP III
1974 ©
patinated and polished silicon bronze
15 x 28 x 22"
1974 ©
patinated and polished silicon bronze
15 x 28 x 22"
Curl Series
COLLECTION: Lester Marks, Houston, TX
COLLECTION: Lester Marks, Houston, TX
PUNCTURE (view 1)
1976 ©
patinated and burnished silicon bronze
6 x 14 x 9"
1976 ©
patinated and burnished silicon bronze
6 x 14 x 9"
Curl Series
collection of the artist
collection of the artist
PUNCTURE (view 2)
1976 ©
patinated and burnished silicon bronze
6 x 14 x 9"
1976 ©
patinated and burnished silicon bronze
6 x 14 x 9"
Curl Series
collection of the artist
collection of the artist
SOUTHLAND'S CASE
1977 ©
patinated silicon bronze with stainless steel plumbing and pumper housing
approx. 84" high
1977 ©
patinated silicon bronze with stainless steel plumbing and pumper housing
approx. 84" high
Verticality Series (fountain)
Commissioned by the Southland Corporation for their employee garden at corporate headquarters, Dallas, TX
Corporate management influenced by the Sheetrock work, "Swanson's Case," seen at the Longview Museum
Commissioned by the Southland Corporation for their employee garden at corporate headquarters, Dallas, TX
Corporate management influenced by the Sheetrock work, "Swanson's Case," seen at the Longview Museum
CATFLAGG III (view 1), ed. 1/3
1977 ©
enamel acrylic on welded mild steel
44 x 66 x 39"
1977 ©
enamel acrylic on welded mild steel
44 x 66 x 39"
Cut & Fold Series
COLLECTION: College of the Mainland, Texas City, TX,
gift of Allied Bank Shares, TX
COLLECTION: College of the Mainland, Texas City, TX,
gift of Allied Bank Shares, TX
CATFLAGG III (view2), ed. 1/3
1977 ©
acrylic enamel on welded mild steel
44 x 66 x 39"
1977 ©
acrylic enamel on welded mild steel
44 x 66 x 39"
Cut & Fold Series
COLLECTION:
College of the Mailand, Texas City, TX, gift of Allied Bank Shares, TX
COLLECTION:
College of the Mailand, Texas City, TX, gift of Allied Bank Shares, TX
SPAYWEK IV
1976
acrylic enamels on welded mild steel
approx 9' tall
1976
acrylic enamels on welded mild steel
approx 9' tall
Cut & Fold Series
Private COLLECTION, Houston, TX
collector has since repainted.
Private COLLECTION, Houston, TX
collector has since repainted.
BLUE-FOLDS (view 2)
1976 ©
heavy acrylic gels, mica flakes on welded mild steel
38 x 60 x 25"
1976 ©
heavy acrylic gels, mica flakes on welded mild steel
38 x 60 x 25"
Cut & Fold Series
Has been repainted Prussian Blue
Has been repainted Prussian Blue
BLUE FOLDS (view 1)
1976 ©
heavy acrylic gels & mica flakes on welded mild steel
38 x 60 x 25"
1976 ©
heavy acrylic gels & mica flakes on welded mild steel
38 x 60 x 25"
Cut & Fold series
Has been repainted Prussian Blue
Widely exhibited across the country
Has been repainted Prussian Blue
Widely exhibited across the country
UHCL FLIGHT
1976
Polished Navel bronze welded to silicon bronze twist
approx. 60" high, excluding 60" base
1976
Polished Navel bronze welded to silicon bronze twist
approx. 60" high, excluding 60" base
Organic/Flight Series
Commissioned by the Chancellor of the UH System to top a time capsule on the bridgehead to the UHCL campus
Commissioned by the Chancellor of the UH System to top a time capsule on the bridgehead to the UHCL campus
WAF II (view 1)
1977 ©
Unique patinated silicon bronze
6 x 16 x 10"
1977 ©
Unique patinated silicon bronze
6 x 16 x 10"
Cut & Fold Series
Collection of the artist
Collection of the artist
WAF II (view 2)
1977 ©
Unique patinated silicon bronze
6 x 16 x 10"
1977 ©
Unique patinated silicon bronze
6 x 16 x 10"
Cut & Fold Series
collection of the artist
collection of the artist
GRID-RECK
1976 ©
Unique copper plated, polychromed, patinated, polished & burnished silicon bronze on a burnished stainless steel disc on an oxidized steel plinth
26 x 30" diameter
1976 ©
Unique copper plated, polychromed, patinated, polished & burnished silicon bronze on a burnished stainless steel disc on an oxidized steel plinth
26 x 30" diameter
Fragmentation Series
Private COLLECTION, Houston, TX
Private COLLECTION, Houston, TX
CLIPPER I (view 1)
1976 ©
Unique Bron-White, polychromed, patinated, burnished & polished on a stainless steel disk mounted on an oxidized steel plinth
15 1/2 x 25 x 10 1/2" including plinth
1976 ©
Unique Bron-White, polychromed, patinated, burnished & polished on a stainless steel disk mounted on an oxidized steel plinth
15 1/2 x 25 x 10 1/2" including plinth
Fragmentation Series
COLLECTION: Vincent Manguno,
New Orleans, LA
COLLECTION: Vincent Manguno,
New Orleans, LA
CLIPPER I (view 2)
1976 ©
Unique Bon-White, polychromed, patinated burnished & polished; mounted on a stainless steel disk on an oxidized steel plinth
15 1/2 x 25 x 10 1/2"
1976 ©
Unique Bon-White, polychromed, patinated burnished & polished; mounted on a stainless steel disk on an oxidized steel plinth
15 1/2 x 25 x 10 1/2"
Fragmentation Series
COLLECTION: Vincent Manguno, New Orleans, LA
COLLECTION: Vincent Manguno, New Orleans, LA
Bends One (view 1)
1976 ©
patinated and burnished silicon bronze
14 x 18 x 8"
1976 ©
patinated and burnished silicon bronze
14 x 18 x 8"
Cut and Fold Series
edition of 3
edition of 3
Bends One (view 2)
1976 ©
patinated and burnished silicon bronze
14 x 18 x 8"
1976 ©
patinated and burnished silicon bronze
14 x 18 x 8"
Cut & Fold Series
edition of 3
edition of 3
SPAYWEK II, ed. 2/5
1975 ©
Polychromed, patinated & polished silicon bronze
11 x 9 1/2 x 7 3/4"
1975 ©
Polychromed, patinated & polished silicon bronze
11 x 9 1/2 x 7 3/4"
Cut & Fold Series
Edition 2/5 donated to the Amarillo Art Center, TX, by Ed Campbell
Edition 1/5 COLLECTION: Ed Campbell, whereabouts unknown, lives on a boat
Edition 2/5 donated to the Amarillo Art Center, TX, by Ed Campbell
Edition 1/5 COLLECTION: Ed Campbell, whereabouts unknown, lives on a boat
Crawler-Fold II (view 1)
1976 ©
Unique patinated & burnished silicon bronze
5 x 18 x 14"
1976 ©
Unique patinated & burnished silicon bronze
5 x 18 x 14"
Cut & Fold Series
maquette for larger sizes including on in mild steel at least 12' high
Private COLLECTION, Cincinnati, OH
maquette for larger sizes including on in mild steel at least 12' high
Private COLLECTION, Cincinnati, OH
Crawler-Fold II (view 2)
1976 ©
Unique patinated & burnished silicon bronze
5 x 18 x 14"
1976 ©
Unique patinated & burnished silicon bronze
5 x 18 x 14"
Cut & Fold Series
Intended as a maquette for a work at least 12' high in mild steel
Private COLLECTION, Cincinnati, OH
Intended as a maquette for a work at least 12' high in mild steel
Private COLLECTION, Cincinnati, OH
FLASHER IV (view 1)
1975 ©
unique polychromed, patinated & burnished silicon bronze
16 x 16 x 12"
1975 ©
unique polychromed, patinated & burnished silicon bronze
16 x 16 x 12"
Fragmentation Series
Beck Award winner, Texas Tri-Annual, Dallas, TX
Private COLLECTION, Midland, TX
Beck Award winner, Texas Tri-Annual, Dallas, TX
Private COLLECTION, Midland, TX
FLASHER IV (view 3)
1975 ©
Unique polychromed, patinated & burnished silicon bronze
16 x 16 x 12"
1975 ©
Unique polychromed, patinated & burnished silicon bronze
16 x 16 x 12"
Fragmentation Series
Winner of the Beck Award Texas Tri-annual, Dallas Museum, 1976
Private COLLECTION, Midland, TX
Winner of the Beck Award Texas Tri-annual, Dallas Museum, 1976
Private COLLECTION, Midland, TX
FLASHER IV ( view 2)
1975 ©
unique polychromed, patinated and burnished silicon bronze
16 x 16 x 12 "
1975 ©
unique polychromed, patinated and burnished silicon bronze
16 x 16 x 12 "
Fragmentation Series
winner of the Beck Award, Texas Tri-annual, Dallas, TX
Private COLLECTION, Midland, TX
winner of the Beck Award, Texas Tri-annual, Dallas, TX
Private COLLECTION, Midland, TX
FLASHER III (view 1)
1974 ©
acrylic enamel on wood
40 x 58 x 44"
1974 ©
acrylic enamel on wood
40 x 58 x 44"
Cut & Fold Series
A version V intended in welded mild steel, approx. 12' high
Version III, ed. 2/3, painted mild steel, Private Collection, Galveston, TX
A version V intended in welded mild steel, approx. 12' high
Version III, ed. 2/3, painted mild steel, Private Collection, Galveston, TX
FLASHER III (view 2)
1974 ©
acrylic enamels on wood
40 x 58 x 44"
1974 ©
acrylic enamels on wood
40 x 58 x 44"
Cut & Fold Series
A version V intended in welded mild steel approximately 12' high
A version V intended in welded mild steel approximately 12' high
FLASHER II (view 1)
1976 ©
Unique polychromed, patinated & burnished silicon bronze
6 x 10 x 9"
1976 ©
Unique polychromed, patinated & burnished silicon bronze
6 x 10 x 9"
Fragmentation Series
from a smaller maquette, intended for two more enlargements
COLLECTION: Jim & Lou Ellis, Houston, TX
photo: Jim Ellis
from a smaller maquette, intended for two more enlargements
COLLECTION: Jim & Lou Ellis, Houston, TX
photo: Jim Ellis
KITTY-ROCK II
1974 ©
Unique patinated & polished silicon bronze
11 x 10 x 8 1/2"
1974 ©
Unique patinated & polished silicon bronze
11 x 10 x 8 1/2"
Cut & Fold Series
Intended to be enlarged to 11' in mild and stainless steel, version III
collection of the artist
Intended to be enlarged to 11' in mild and stainless steel, version III
collection of the artist
Split Plate
1975 ©
patinated 85-3-5 bronze
8 x 21 x 11 1/2"
1975 ©
patinated 85-3-5 bronze
8 x 21 x 11 1/2"
Curl Series
collection of the artist
collection of the artist
BEAU-CANT II, ed 4 /10 (view 1)
1975 ©
patinated silicon bronze
6 1/2 x 9 1/4 x 5 3/4"
1975 ©
patinated silicon bronze
6 1/2 x 9 1/4 x 5 3/4"
Fragmentation Series
3 editions in Private COLLECTIONS
edition 3/10, black patina COLLECTION: George Kelly, Houston, TX
3 editions in Private COLLECTIONS
edition 3/10, black patina COLLECTION: George Kelly, Houston, TX
BEAU-CANT II, ed 4/10 (view 2)
1976 ©
patinated silicon bronze
6 1/2 x 9 1/4 x 5 3/4"
1976 ©
patinated silicon bronze
6 1/2 x 9 1/4 x 5 3/4"
Fragmentation Series
second sized maquette for enlarged mild steel fabrication
second sized maquette for enlarged mild steel fabrication
OFF the RACK
1975 ©
Unique patinated & polished silicon bronze
6 x 11 1/2 x 6 1/2"
1975 ©
Unique patinated & polished silicon bronze
6 x 11 1/2 x 6 1/2"
Cut & Fold Series
COLLECTION: Joyce & Brad Long, Houston, TX
COLLECTION: Joyce & Brad Long, Houston, TX
COLLAR-UP II
1975 ©
Unique silicon bronze, patinated and polished
18 x 10 x 11"
1975 ©
Unique silicon bronze, patinated and polished
18 x 10 x 11"
Curl Series
Intended as the second variation for a 10' enlargement in plate navel bronze, scored and polished
Intended as the second variation for a 10' enlargement in plate navel bronze, scored and polished
Right Rocker II (view 1)
1975 ©
Unique patinated & polished silicon bronze
7 x 11 1/4 x 7 1/4"
1975 ©
Unique patinated & polished silicon bronze
7 x 11 1/4 x 7 1/4"
Cut & Fold Series
COLLECTION: Dr. Jack Wallace, Galveston, TX
COLLECTION: Dr. Jack Wallace, Galveston, TX
Right Rocker (view 2)
1975 ©
Unique patinated & polished silicon bronze
7 x 11 1/4 x 7 1/14"
1975 ©
Unique patinated & polished silicon bronze
7 x 11 1/4 x 7 1/14"
Cut & Fold Series
COLLECTION: Dr. Jack Wallace, Galveston, TX
COLLECTION: Dr. Jack Wallace, Galveston, TX
Split-Up II ed. 2/3 (view 1)
1974 ©
polychromed, patinated, burnished & polished silicon bronze
6 x 17 x 5 3/4"
1974 ©
polychromed, patinated, burnished & polished silicon bronze
6 x 17 x 5 3/4"
Cut & Fold Series
Edition 2/3,Private COLLECTION, whereabouts unknown. Editions 1 & 3 available for casting
Edition 2/3,Private COLLECTION, whereabouts unknown. Editions 1 & 3 available for casting
Split-up II, ed. 2/3 (view 2)
1974 ©
polychromed, patinated, burnished & polished silicon bronze
6 x 17 x 5 3/4"
1974 ©
polychromed, patinated, burnished & polished silicon bronze
6 x 17 x 5 3/4"
Cut & Fold Series
Edition 2/3, Private COLLECTION, whereabouts unknown. Editions 1 & 3 available for casting
Edition 2/3, Private COLLECTION, whereabouts unknown. Editions 1 & 3 available for casting
Dragon III
1975 ©
polychromed and oxidized aluminum
14 x 23 x 22"
1975 ©
polychromed and oxidized aluminum
14 x 23 x 22"
Curl Series
Private COLLECTION: New Orleans, LA.
Private COLLECTION: New Orleans, LA.
Basic BRON-WAVE
1976 ©
Patinated and polished Bron-White
14 x 9 x 8"
1976 ©
Patinated and polished Bron-White
14 x 9 x 8"
Wave Series
As apart from the Curl Series
Whereabouts unknown
As apart from the Curl Series
Whereabouts unknown
INDUS
1978 ©
heavy acrylic gels on Mica flakes on polyflax
72 x 78 x 32"
1978 ©
heavy acrylic gels on Mica flakes on polyflax
72 x 78 x 32"
Monochrome Series
Private COLLECTION, New Orleans, LA
Private COLLECTION, New Orleans, LA
ZAMA
1978 ©
Heavy acrylic gels on polyflax
48 x 82 x 19"
1978 ©
Heavy acrylic gels on polyflax
48 x 82 x 19"
DUO-Chrome Series
COLLECTION: the artist's wife,
Dee Dee Bott, Houston, TX
Winged Panels, left and right, "lost" or DESTROYED in moving from the tear-down of Blue-Barn-On-Barnes studio May, 2014
COLLECTION: the artist's wife,
Dee Dee Bott, Houston, TX
Winged Panels, left and right, "lost" or DESTROYED in moving from the tear-down of Blue-Barn-On-Barnes studio May, 2014
ONE CORNER
1978 ©
titanium mica flakes in heavy acrylic gel on polflax on an extruded aluminum frame
48 x 48 x 48"
1978 ©
titanium mica flakes in heavy acrylic gel on polflax on an extruded aluminum frame
48 x 48 x 48"
Monochrome Series
To be shown with CORNER,TOO
To be shown with CORNER,TOO
CORNER, TOO (floor mode)
1978 ©
titanium mica flakes in heavy acrylic gels on polyflax on an extruded aluminum tubing frame
48 x 48 x 48"
1978 ©
titanium mica flakes in heavy acrylic gels on polyflax on an extruded aluminum tubing frame
48 x 48 x 48"
Monochrome Series.
flip image to see ceiling mode.
flip image to see ceiling mode.
CORNER, TOO (ceiling mode)
1978 ©
Titanium mica flakes in heavy acrylic gel on polyflax on extruded aluminum frame
48 x 48 x 48"
1978 ©
Titanium mica flakes in heavy acrylic gel on polyflax on extruded aluminum frame
48 x 48 x 48"
Monochrome Series
both CORNER works installed
1978 ©
titanium mica flakes in heavy acrylic gel on polyflax with aluminum
each unit 48 x 48 x 48"
1978 ©
titanium mica flakes in heavy acrylic gel on polyflax with aluminum
each unit 48 x 48 x 48"
Monochrome Series
These are inverse reflections, in format, of each other in a rather metallic metal appearance. Also shown at opposite corners, both in floor mode.
These are inverse reflections, in format, of each other in a rather metallic metal appearance. Also shown at opposite corners, both in floor mode.
ISO-FLUOR, Left
1973 ©
scumbled acrylic on beach sand o pressed wood
42 x 64 " 9107.8 X 163.6 cm)
1973 ©
scumbled acrylic on beach sand o pressed wood
42 x 64 " 9107.8 X 163.6 cm)
Archetype Phases, Isometric Series
COLLECTION,private; whereabouts unknown
COLLECTION,private; whereabouts unknown
ISO-FLUOR, Right
1973 ©
scumbled acrylic on beach sand on pressed board
42 x 64 " (107.8 x 163.6 cm)
1973 ©
scumbled acrylic on beach sand on pressed board
42 x 64 " (107.8 x 163.6 cm)
Archetype Phases, Isometric Series; COLLECTION,private; whereabouts unknown
ISO-MONO XIV
1973-'74 ©
mixed media on pressed wood
18 x 86 x 58 " (46.2 x 218.4 x 147.3 cm)
1973-'74 ©
mixed media on pressed wood
18 x 86 x 58 " (46.2 x 218.4 x 147.3 cm)
Archetype Phases, Isometric Series. This was to be the last of 14 high reliefs done in black, charcoal and grays, both cool and warm. All in the 18 x 84 x 60 " format. All Monochrome.
# XIV, COLLECTION: Allied Bank Shares, TX.
# XIV, COLLECTION: Allied Bank Shares, TX.
TX-GAL-DILLY, unique
1973 ©
RTV on fiber-brd, brass hrdw, acrylics on sandblasted plybrd, on hand-rubbed lacquer on plybrd
24 x 24 x 3.25 "
1973 ©
RTV on fiber-brd, brass hrdw, acrylics on sandblasted plybrd, on hand-rubbed lacquer on plybrd
24 x 24 x 3.25 "
Retro-Media Series.
DESTROYED in Tropical Storm Alison, 2001
DESTROYED in Tropical Storm Alison, 2001
SOFT Corner-Hanging
1973 ©
Mattress ticking, kapok
variable, approx. 50 x 40 x 12 "
1973 ©
Mattress ticking, kapok
variable, approx. 50 x 40 x 12 "
Archetype Series, variations on variable size soft sculptures. Full scale "pillow" fabrication: Cathy Townsend ©; COLLECTIONS, private;
whereabouts unknown.
whereabouts unknown.
JUST-A-PAIR, variation 1
1973 ©
Mattress ticking and kapok
27 x 36 x 5 " wall mounted
1973 ©
Mattress ticking and kapok
27 x 36 x 5 " wall mounted
Archetype Series; Numerous variations were fabricated by Cathy Townsend ©, Galveston, TX; Variation #1, COLLECTION: Eddie Johnson, Galveston, TX
Gross Slack Sack Stack
1973 ©
patinated mattress ticking filled w/ kapock
approx. 14 x 10 x 3" each module, variable installation dimensions
1973 ©
patinated mattress ticking filled w/ kapock
approx. 14 x 10 x 3" each module, variable installation dimensions
Archetype Series. 144 numbered modules fabricated by the Sunshine Training Center, Galveston, TX; currently installed in the fireplace of the artist & wife's home. Documented in two solo catalogues, 1973 & '74. Exhibited in nine museum/art-cntrs.
Collection of the artist's wife, Dee Dee Bott, Houston, TX
Collection of the artist's wife, Dee Dee Bott, Houston, TX
Metamorphosis, text side view
1973 ©
resinated india ink on fiberboard
40 x 48 x 26"
1973 ©
resinated india ink on fiberboard
40 x 48 x 26"
The text is hand printed of the DoV System ™ Concepts Manifesto
No copy of the text is held by the artist
COLLECTION: Allied Bank Shares, TX
No copy of the text is held by the artist
COLLECTION: Allied Bank Shares, TX
Metamorphosis, images side
1973 ©
resinated india ink on fiberboard
40 x 48 x 26"
1973 ©
resinated india ink on fiberboard
40 x 48 x 26"
Archetype Series. Images refer to the DoV System Concepts™ Manifesto (as shown on next slide)
COLLECTION: Allied Bank Shares, TX
COLLECTION: Allied Bank Shares, TX
MESA TOWERS, unique
1973-74 ©
Opaque resin dyes on resinated fiberboard on wood & steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
1973-74 ©
Opaque resin dyes on resinated fiberboard on wood & steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
Primary frontal view, Architectonic Phases,
Verticality Series,
Collection of the artist
Some Tower damage and trundle base destroyed in Tropical Storm Allison. Remaining elements DESTROYED in studio tear-down of Blue-Barn-on-Barnes, May 2014
Verticality Series,
Collection of the artist
Some Tower damage and trundle base destroyed in Tropical Storm Allison. Remaining elements DESTROYED in studio tear-down of Blue-Barn-on-Barnes, May 2014
MESA TOWERS, unique
1973-74 ©
dyed resins on fiberboard on wood & steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
1973-74 ©
dyed resins on fiberboard on wood & steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
Second (Side) View, Architectonic Phases, Verticality Series,
Collection of the artist
Destroyed
Collection of the artist
Destroyed
Mesa Towers (detail)
1973-74 ©
dyed resins on fiberboard on wood and steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
1973-74 ©
dyed resins on fiberboard on wood and steel
112 x 94 x 48.25" (284 x 239 x 123 cm)
Architectonic Phases, Verticality Series. Each Tower removable from trundle base and often exhibited separately.
DESTROYED
DESTROYED
GREEN$ TREE $ ONE$, unique
1974 ©
resinated (soaked) currency on dyed & reainated fiberboard
98" high ©
1974 ©
resinated (soaked) currency on dyed & reainated fiberboard
98" high ©
Architectonic Phases, Verticality Series. Idea presented to and therewith commissioned by Mrs
A.W. (Lyda) Quinn for the COLLECTION of the Rosenberg Library, Galveston, TX, to be accessible to all library patrons and visitors.
A.W. (Lyda) Quinn for the COLLECTION of the Rosenberg Library, Galveston, TX, to be accessible to all library patrons and visitors.
Green$ Tree One$ (detail)
1974 ©
resinated currency on resinated fiberboard on wood
98" high
1974 ©
resinated currency on resinated fiberboard on wood
98" high
Detail View, Architectonic Phases, Verticality Series. The intent of the work is to actually have people attempt to surreptitiously pick-away currency from at least the base where a "few" pennies could be extracted. The exact amount of half new and half de-circulated one dollar bills was known to only three people. It is in four figures.
T-SWITCH (When Thighs Meet), unique
1973 ©
marble dust & resin on fiberboard
43" high
1973 ©
marble dust & resin on fiberboard
43" high
Architectonic Phases, Verticality Series; Photo: Bob Westerlage ©; Collection of the artist
Swanson's Case, unique
1973 ©
polychromed gypsum brd, chain, steel and wood rods
26" high
1973 ©
polychromed gypsum brd, chain, steel and wood rods
26" high
Architectonic Phases,Verticality Series. Became the "intended" maquette for the Southland Corp COMMISSION, Dallas, TX, of Southland's Case. This maquette,
COLLECTION: Republic National,Bank, Dallas, TX ;Photo: Bob Westerlage ©
COLLECTION: Republic National,Bank, Dallas, TX ;Photo: Bob Westerlage ©
OPEN HEART, unique
1973 ©
polychromed fiberboard
34' long
1973 ©
polychromed fiberboard
34' long
Horizontal Shift Series
Photo: Bob Westerlage ©,
COLLECTION: Don Bartlett, Columbia, MO
Photo: Bob Westerlage ©,
COLLECTION: Don Bartlett, Columbia, MO
Ms. OVERTHEWAY, unique
1973 ©
polychromed fiberboard
57" long
1973 ©
polychromed fiberboard
57" long
Horizontal Shift Series
Photo: Bob Westerlage ©,
COLLECTION: Commonwealth Bank, Dallas, TX
Photo: Bob Westerlage ©,
COLLECTION: Commonwealth Bank, Dallas, TX
STOP PLUM: Pebble Go, unique
1973 ©
acrylic and marble dust on gypsum brd
23.5" high
1973 ©
acrylic and marble dust on gypsum brd
23.5" high
First view, Architectonic Phases,
Verticality Series; Photo: Bob Westerlage ©; Collection: Dee Dee Bott, Houston, TX
Verticality Series; Photo: Bob Westerlage ©; Collection: Dee Dee Bott, Houston, TX
STOP PLUM: Pebble Go, unique
1973 ©
acrylic & marble dust on gypsum brd
23.5" high
1973 ©
acrylic & marble dust on gypsum brd
23.5" high
View two, Architectonic Phases,
Verticality Series; Photo: Bob Westerlage ©; Collection of the artist's wife, Dee Dee Bott, Houston, TX
Verticality Series; Photo: Bob Westerlage ©; Collection of the artist's wife, Dee Dee Bott, Houston, TX
B-n-W-n-W-n-B, unique
1973 ©
opaque dyes & epoxies on fiberboard
68" high, each
1973 ©
opaque dyes & epoxies on fiberboard
68" high, each
View one, Architectonic Phases,
Verticality Series; Photo: Bob Westerlage ©; COLLECTION: University of Missouri Library @ Columbia, MO
Verticality Series; Photo: Bob Westerlage ©; COLLECTION: University of Missouri Library @ Columbia, MO
B-n-W-n-W-B, unique
1973 ©
opaque dyes & epoxy on fiberboard
68" high, each
1973 ©
opaque dyes & epoxy on fiberboard
68" high, each
View two, Architectonic Phases,
Verticality Series; Photo: Bob Westerlage ©; COLLECTION: University of Missouri Library @ Columbus, MO
Verticality Series; Photo: Bob Westerlage ©; COLLECTION: University of Missouri Library @ Columbus, MO
SILO-SWEEP, unique
1973 ©
poly-dyed resinated fiberboard
37.5" high
1973 ©
poly-dyed resinated fiberboard
37.5" high
Architectonic Phases, Verticality Series, Photo: Bob Westerlage ©;
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
Collection of the artist's wife,
Dee Dee Bott, Houston, TX
Browning, unique
1973 ©
dyed and resinated fiberboard
34" high
1973 ©
dyed and resinated fiberboard
34" high
Architectonic Phases, Verticality Series, Photo: Bob Westerlage ©;
Collection of the artist's wife, Dee Dee Bott, Houston, TX
Collection of the artist's wife, Dee Dee Bott, Houston, TX
RUBBER Pattern TILT, unique
1973 ©
RTV silicon on resinated gypsum brd
23' high
1973 ©
RTV silicon on resinated gypsum brd
23' high
Verticality Series, Tilt view with robber DoV module on face. Photo: Bob Westerlagege ©;COLLECTION: Longview Museum, Longview, TX
RUBBER Pattern TILT, unique
1973 ©
RTV silicon on resinated gypsum brd
23" high
1973 ©
RTV silicon on resinated gypsum brd
23" high
Front-on view,
SheetRock Works, Verticality Series; Photo: Bob Westerlage ©: COLLECTION: Longview Museum, TX; gift of Ms.
Betty Bodenheim, Longview, TX
SheetRock Works, Verticality Series; Photo: Bob Westerlage ©: COLLECTION: Longview Museum, TX; gift of Ms.
Betty Bodenheim, Longview, TX
Foam-Break, unique
1973 ©
polyurethane onpolychromed gypsum brd
68.5" long
1973 ©
polyurethane onpolychromed gypsum brd
68.5" long
SheetRock Works, Horizontal Shift Series;COLLECTION: Estate of Joseph Cain, Corpus Christi, TX, intended as a gift to the Museum of South Texas, Corpus Christi, TX; Photo: Bob Westerlage ©
DINE'S FISHEART HOTEL, Too; unique
1973 ©
polychromed & resinated gypsum brd
23" high
1973 ©
polychromed & resinated gypsum brd
23" high
SheetRock Works, Architectonic Phases, Verticality Series; foremost view; photo: Bob Westerlage ©
DINE'S FISHEART HOTEL, TOO, view 2
1973 ©
polychromed and resinated gypsum brd
23" high
1973 ©
polychromed and resinated gypsum brd
23" high
Photo: Bob Westerlage ©
second view
second view
![HJ BOTT SCULPTURE, DoV polychromed & resinated gypsum brd](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/hjbottc/thumb/193.jpg?0 "DINE"S FISHEART HOTEL, TOO; detail")
DINE"S FISHEART HOTEL, TOO; detail
1973 ©
polychromed & resinated gypsum brd
23" high
1973 ©
polychromed & resinated gypsum brd
23" high
SheetRock Work, Architectonic Series; Interior Detail; photo: Bob Westerlage ©
Collection; Tooie Vogler, Ft Collins CO, gift of Mr & Mrs. A.W. Quinn, Galveston, TX
Collection; Tooie Vogler, Ft Collins CO, gift of Mr & Mrs. A.W. Quinn, Galveston, TX
G.S. UNDULATIONS, unique
1972 ©
polychromed gypsum brd
48 " long
1972 ©
polychromed gypsum brd
48 " long
SheetRock Works, Horizontal Shift Series; photo: Bob Westerlage ©
Collection: Rare Books Room, Rosenberg Library, Galveston, TX;
gift of Bob and Linda Westerledge
Collection: Rare Books Room, Rosenberg Library, Galveston, TX;
gift of Bob and Linda Westerledge
H. TU-LOO, unique
1972 ©
Polychromed gypsum brd
48.5 " long
1972 ©
Polychromed gypsum brd
48.5 " long
SheetRock Works, Horizontal Shift Series: photo: Bob Westerlage ©;
Private Collection: New Orleans, LA
Private Collection: New Orleans, LA
WAVERAKE, ed. 1/5
1972 ©
polychromed gypsum brd
24" long
1972 ©
polychromed gypsum brd
24" long
Sheetrock Works, Horizontal Shift Series; Editions 2 - 5 intended to be in multicolored plexiglass: photo: Bob Westerlage ©; Edition 1/5, Collection: Eddie Chalmers, Galveston, TX
HEARTRAKE ....SLOW, ed 1/5
1972 ©
polychromed gypsum brd
24" long
1972 ©
polychromed gypsum brd
24" long
SheetRock Work, Horizontal Shift Series; photo: Bob Westerlage ©;
Editions 2 - 5 intended to be in fiberglass &/or tinted plexiglass
ed 1/3 DESTROYED in tropical Storm Allison
Editions 2 - 5 intended to be in fiberglass &/or tinted plexiglass
ed 1/3 DESTROYED in tropical Storm Allison
TUBES, ed. 1/3
1972 ©
polychromed gypsum brd
11" high
1972 ©
polychromed gypsum brd
11" high
SheetRock Works, Architectonic Phases, Verticality Series: Photo: Bob Westerlage ©;
Edition 1/3, COLLECTION, Moody Medical Library, University of Texas, Galveston, TX; gift of the Moody Foundation Art Fund
Edition 1/3, COLLECTION, Moody Medical Library, University of Texas, Galveston, TX; gift of the Moody Foundation Art Fund
Babylon Hilton, ed. 1/3
1972 ©
polychromed resinated gypsum brd
11" high
1972 ©
polychromed resinated gypsum brd
11" high
SheetRock Works, Architectonic Phases, Verticality Series; photo: Bob Westerlage ©; Private COLLECTION, San Antonio,TX
TEMPLE TENT, ed 1/5
1972 ©
dyed & resinated gypsum brd
21" high
1972 ©
dyed & resinated gypsum brd
21" high
Front-on View. Architectonic Phases, Horizontal Shift Series.
Editions 3 -5 intended to be in lightly patinated bronze plates
photo: Bob Westerlage ©
ed 1/3, collection of the artist's wife, Dee Dee Bott, Houston, TX
ed 2/3, collection of Ann Alexander, San Antonio, TX
Editions 3 -5 intended to be in lightly patinated bronze plates
photo: Bob Westerlage ©
ed 1/3, collection of the artist's wife, Dee Dee Bott, Houston, TX
ed 2/3, collection of Ann Alexander, San Antonio, TX
TEMPLE TENT, side view
1972 ©
dyed and resinated gypsum brd
21" high
1972 ©
dyed and resinated gypsum brd
21" high
SheetRock Works, Architectonic Phases, Horizontal Shift Series, Photo: Bob Westerlage ©
Double Escher, unique
1972 ©
resinated gypsum brd, heavy resin drips
78" high
1972 ©
resinated gypsum brd, heavy resin drips
78" high
Sheetrock Works, Verticality Series;Photo: Bob Westerlage ©;
COLLECTION: Dr. Daniel Cresson, Jr., Houston, TX
COLLECTION: Dr. Daniel Cresson, Jr., Houston, TX
Kneeling Stele, ed 1/3
1972 ©
polychromed gypsum brd
20" high
1972 ©
polychromed gypsum brd
20" high
Architectonic Phases, Verticality Series; editions 2 & 3 intended to be cast in aluminum, polychromed and burnished; photo: Bob Westerlage ©;
Edition 1/3: COLLECTION,
Ft Worth National Bank, TX
Edition 1/3: COLLECTION,
Ft Worth National Bank, TX
Condor Feeder, unique
1972 ©
epoxied gypsum brd
66' high
1972 ©
epoxied gypsum brd
66' high
SheetRock Works, Architectonic Phases, Verticality Series;
Private COLLECTION: Chicago
Photo: Bob Westerlage ©;
Private COLLECTION: Chicago
Photo: Bob Westerlage ©;
OKLA CAMPANILE, ed. i/3
1972 ©
polychromed gypsum board
20" high
1972 ©
polychromed gypsum board
20" high
ed. 2 & 3 intended to be cast in bronze and pewter, respectively.
ed 1/3, COLLECTION: John Ferguson,
Galveston, TX
Photo: Bob Westerlage ©
ed 1/3, COLLECTION: John Ferguson,
Galveston, TX
Photo: Bob Westerlage ©
OKLA CAMPANILE, second view
1972 ©
Polychromed gypsum board
20 " high
1972 ©
Polychromed gypsum board
20 " high
Sheetrock Works, Architectonic Phases, Verticality Series
ed. 1/3: COLLECTION: John Ferguson, Galveston, TX
Photo: Bob Westerlage ©
ed. 1/3: COLLECTION: John Ferguson, Galveston, TX
Photo: Bob Westerlage ©
MARY'S LAST, unique
1972 ©
acrylicand blood resinated on gypsum board
34 x 40 x 18 "
1972 ©
acrylicand blood resinated on gypsum board
34 x 40 x 18 "
Sheetrock Works, Architectonic Phases, Horizontal Shift Series;
COLLECTION: Del Mar College, Corpus Christi, TX
Photo: Bob Westerlage ©
COLLECTION: Del Mar College, Corpus Christi, TX
Photo: Bob Westerlage ©
MARY'S LAST, second view
1972 ©
acrylic and blood resinated on gypsum board
34 x 40 x 16 "
1972 ©
acrylic and blood resinated on gypsum board
34 x 40 x 16 "
Sheetrock Works, Architectonic Phases, Horizontal Shift Series;
COLLECTION: Del Mar College, Corpus Christi, TX; purchase prize winner in National Sculpture Invitational
Photo: Bob Westerlage ©
COLLECTION: Del Mar College, Corpus Christi, TX; purchase prize winner in National Sculpture Invitational
Photo: Bob Westerlage ©
GYPSUM GULCH, unique
1972 ©
acrylic, pumice and dirt on gypsum board
48" long
1972 ©
acrylic, pumice and dirt on gypsum board
48" long
Sheetrock Works, Horizontal Shift Series;
DESTROYED in tear-down of Blue-Barn-On-Barnes studio, May 2014
photo: Bob Westerlage ©
DESTROYED in tear-down of Blue-Barn-On-Barnes studio, May 2014
photo: Bob Westerlage ©
LIME PINCHER, unique
1972 ©
Polychromed resinated gypsum board
21" high
1972 ©
Polychromed resinated gypsum board
21" high
Sheetrock Works, Architectonic Phases, Verticality Series;
COLLECTION: Dr. & Mrs John Hickman, Tulsa, OK;
photo: Bob Westerlage ©
COLLECTION: Dr. & Mrs John Hickman, Tulsa, OK;
photo: Bob Westerlage ©
IN GALVESTON ???, second view
1972 ©
Polychromed resinated gypsum board
49" high
1972 ©
Polychromed resinated gypsum board
49" high
Sheetrock Works, Architectonic Phases, Verticality Series; Private COLLECTION, Dallas,TX; Photo: Bob Westerlage ©
IN GALVESTON ???, unique
1972 ©
Polychromed resinated gypsum board
49" high
1972 ©
Polychromed resinated gypsum board
49" high
Sheetrock works, Architectonic Phases, Verticality Series;
Private COLLECTION, Dallas, TX
Photo:Bob Westerlage ©
Private COLLECTION, Dallas, TX
Photo:Bob Westerlage ©
WESTERMAN'S TOWER, open view
1972 ©
polychromed resinated gypsum board
59" high
1972 ©
polychromed resinated gypsum board
59" high
Sheetrock Works, Architectonic Phases; COLLECTION: Columbia University Medical Library, NYC; gift of the C. Lee Jones Fund;
Photo: Bob Westerlage ©
Photo: Bob Westerlage ©
WESTERMAN'S TOWER, unique
!972 ©
Polychromed resinated gypsum board
59 " high
!972 ©
Polychromed resinated gypsum board
59 " high
Second View, Sheetrock Works, Architectonic Phases, Verticality Series; COLLECTION: Columbia University Medical Library, NYC, gift of the C.Lee Jones Fund
Photo: Bob Westerlage ©
Photo: Bob Westerlage ©
IT WAS IN MIAMI, ed. 1/3
1972 ©
polychromed resinated gypsum board
21" high
1972 ©
polychromed resinated gypsum board
21" high
Sheetrock Works, Architectonic Phases, Verticality Series;
ed. 1/3, COLLECTION: Fred Abrams Estate, Miami; ed. 2/3, private COLLECTION: Texas City, TX; Photo: Bob Westerlage
ed. 1/3, COLLECTION: Fred Abrams Estate, Miami; ed. 2/3, private COLLECTION: Texas City, TX; Photo: Bob Westerlage
RANDOM STACK unique
1972 ©
Resinated Gypsum Board
40" high
1972 ©
Resinated Gypsum Board
40" high
Sheetrock Works, Verticality Series; computer generated "random" stacking (within outside parameter limits); Photo: Bob Westerlage©
COOKIE_CUTTER CRAFT SHAFT, second view
1972 ©
resinated gypsum board
40.5 " high
1972 ©
resinated gypsum board
40.5 " high
SRW (Sheet-Rock Works), became an early Architectonic Phase, Verticality Series; Collection of the artist's wife, Dee Dee Bott, Houston,TX
Photo: Bob Westerlage ©
Photo: Bob Westerlage ©
COOKIE-CUTTER CRAFT SHAFT, ed. 1/3
1972 ©
resinated gypsum board
40.5 " high
1972 ©
resinated gypsum board
40.5 " high
Second view, other additions to be cast in bronze or aluminum.
Collection of the artist's wife, Dee Dee Bott, Houston, TX
Photo: Bob Westerlage ©
Collection of the artist's wife, Dee Dee Bott, Houston, TX
Photo: Bob Westerlage ©
OUTSIDE BY INSIDE, ed. 1/3
1972 ©
resinated gypsum board
39.5" high
1972 ©
resinated gypsum board
39.5" high
SRW (Sheetrock Works), an early Architectonic Phase, Horizontal Shift Series; other additions intended for bronze and aluminum casting
1/3 Collection of the artist's wife, Dee Dee Bott, Houston,Tx BUT therewith DESTROYED in tear-down of Blue-Barn- on Barnes, May, 2014; Photo: Bob Westerlage ©
1/3 Collection of the artist's wife, Dee Dee Bott, Houston,Tx BUT therewith DESTROYED in tear-down of Blue-Barn- on Barnes, May, 2014; Photo: Bob Westerlage ©
OF ITSELF SO, ed. 1/3
1972 ©
resinated gypsum board
39" high
1972 ©
resinated gypsum board
39" high
SRW (Sheetrock Work) beginning of an Architectonic Phase, Horizontal Shift Series; other editions to be of other materials
COLLECTION: Dr & Mrs Dan & Jane Allensworth, Galveston, TX
Photo: Bob Westerlage ©
COLLECTION: Dr & Mrs Dan & Jane Allensworth, Galveston, TX
Photo: Bob Westerlage ©
